Monday, 6 July 2015
Wednesday, 1 July 2015
From Page to Screen
Here is a link to a resource which has a script and a digital storyboard. It is presented as a case study offering advice about how to pitch your ideas. You will be doing something similar in your web-log as you present your research and planning.
Imagine you are the commissioner.
Read the script
Offer suggestions and make comments.
You will be given the script for the opening sequence of American Beauty. Follow the script and observe the codes and conventions of screenwriting.
Observe the conventions of 'sluglines'
EXT.ROBIN HOOD TRAIL.EARLY MORNING
EXT/INT - indicates exterior or interior
ROBIN HOOD TRAIL - indicates where the action is set
EARLY MORNING - indicates period of the day.
You will now be given a scenario drawn from your experiences of childhood. The ideas generated in previous workshops have informed these scenarios.
Imagine you are the commissioner.
Read the script
Offer suggestions and make comments.
You will be given the script for the opening sequence of American Beauty. Follow the script and observe the codes and conventions of screenwriting.
Observe the conventions of 'sluglines'
EXT.ROBIN HOOD TRAIL.EARLY MORNING
EXT/INT - indicates exterior or interior
ROBIN HOOD TRAIL - indicates where the action is set
EARLY MORNING - indicates period of the day.
You will now be given a scenario drawn from your experiences of childhood. The ideas generated in previous workshops have informed these scenarios.
The film idea comes from a student whose
mother came in to ask if all the other children could be careful what they
asked her son to do as he had just eaten stones and chipped all his teeth.
We mixed this concept with some other
stories from childhood.
SCENARIO 1
Working Title
THE BOY WHO ALWAYS
SAYS YES
SCENARIO
These ideas are
taken from your workshops generating ideas for a short film about Childhood.
The ‘Boy’ in the title is being bullied and he gives
up his possessions. When the teacher asks
what is going on the bully accuses the ‘Boy’.
The teacher is exasperated as the Boy agrees with the bully.
You must script, storyboard, film and edit the first
scene from this film.
Observe the conventions of the medium.
Include this key
quote;
‘So, let me get
this straight, what you are saying is that you willingly gave your mobile
phone, house keys and seven pounds fifty to this young man…’
SCENARIO 2
Working Title
THE BOY WHO ALWAYS
SAYS YES
SCENARIO
These ideas are
taken from your workshops generating ideas for a short film about Childhood.
The ‘Boy’ in the title is being explained in a
voice-over at the start of the film.
You must script, storyboard, film and edit the first
scene from this film. Script a voice-over and provide narration over a range of
shot types focusing on the boy.
Observe the conventions of the medium.
Include this key
quote;
‘The super-ego
acts as a break on our desires. It stops
the ego from causing chaos by acting on our desires. Imagine a child who had no
super-ego and had the liberating freedom to say yes to everything’
SCENARIO 3
Working Title
THE BOY WHO ALWAYS
SAYS YES
SCENARIO
These ideas are
taken from your workshops generating ideas for a short film about Childhood.
The ‘Boy’ in the
title is in a classroom and his teacher is becoming increasingly exasperated.
You must script, storyboard, film and edit a scene
from this film.
Observe the conventions of the medium.
Include this key
quote;
The teacher is standing
in a bin saying,
‘Do I Look like
Rubbish !’
If you feel creative and have your own idea then develop your own scenario.
The brief is as follows;
1) Write a script
2) Storyboard the scene
3) Film using a range of shot types and angles
4) Edit your footage into the opening scene of a short film.
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